I would like my sculpture to be a fleeting sensation stemming from the worlds of biology, machines, and instruments” –From the understanding of sculpture as something heavy, seen from the outside, made of durable materials, I take a line – that speaks with properties of the matter it is derived from (...); Taking meaning from the worlds of biology, machines, and instruments, I analyze the problem of meaning and the absurd. I’m Looking for a Moment of Equilibrium. The results of my explorations are light, delicate structures-objects combining these meanings into a new quality.

我希望我的雕塑是源自生物、机器和工具所组成的世界的一种转瞬即逝的感觉。通常对雕塑的理解是有重量感的物体、由耐用材料制成，但是我的作品将线作为主要的材质。 从生物学、机器和工具组成的世界中获取意义，我分析了意义和荒谬的问题。 我在不断寻找平衡的时刻， 探索的最终结果是作品中呈现的轻盈又精致的结构，它是一种将这些意义结合成一种新品质的物体。

EXPLOSION-REDEFINITION, SPACE CRYSTALLIZATION

爆炸--重新定义，空间结晶

Glass: commercial, technological, harmful for human in direct contact, transparent, changing with light, inspires positive and negative emotions

Metal: technological, heavy, cold, used for construction, perceived as anti-aesthetic

This site-specific artwork attempts to penetrate cultural stereotypes in order to appeal to the universal human emotions. This work invites visitors to the new space created by the artist. The feeling of liberation from mundane existence is replaced by festive almost epiphanic understanding of the world.

玻璃代表商业、科技、直接接触对人类有害、透明、随光变化、激发积极和消极情绪。金属代表技术、重、冷、用于建筑、反美学的。

这个特定场域艺术试图穿透文化刻板印象，引发普遍的人类情感。 这件作品邀请参观者进入艺术家创造的新空间。 欢乐的对世界的顿悟般的理解取代了从世俗生活中的感觉。

STRATIFICATION, SPACE CRYSTALLIZATION CYCLE

分层，空间结晶循环

This cellophane sculpture was first created for the exhibition “Vertically, horizontally, spatially” Wroclaw in 2012. Since then, the creation became more complex showing more levels of the interior of “Stratification”. Space is marked by the visible crossing lines.

Transparent cellophane is helping to mentally grasp the invisible. Ogorzelec invites the viewer to enter and feel the space from the inside, rather then contemplate it as aesthetic object. Entering this ethereal and ephemeral scenography changes mundane routines and intellectual stereotypes. Ogorzelec is fascinated by the world of physics and mathematical orders, Soft, elastic lines are balancing tensions and fulfill structural goals allowing visitors to safely enter her structures either walking or crawling. Her structures are based on logic, intuition and experience, they are always unique and specially created by herself for each installation. “Stratification” gives visitors an opportunity to participate in the creation of a work of art.

这件玻璃纸雕塑最初是为2012年弗罗茨瓦夫的“垂直、水平、空间”展览而创作的。此后，我将这件作品变得更加复杂，展示了更多层次的“分层”空间内部，可见的交叉线构造了众多的空间。

透明玻璃纸有助于在精神上把握无形。 艺术家邀请观者进入并从内部感受空间，而不是将其视为审美对象。进入这种空灵和短暂的场景改变了世俗的和知识的惯例。 艺术家对物理和数学秩序的世界非常着迷，柔软、有弹性的线条之间的张力达到某种平衡并实现了结构设想，游客可以用步行或爬行的方式顺利地进入它的结构。它的结构基于逻辑、直觉和经验，它们总是独一无二的，并且是她为每个装置专门创造的。 “分层”让参观者有机会参与艺术作品的创作。