The artist sees what others cannot see. She sees something in an ephemeral way, not entirely sure, undefined. To learn about her idea and show it to others, artist must capture and materialize in real and permanent material what he sees, inaccessible to the eye. This is what Magdalena Dobrucka wrote about this process in her letter :

"I was lacking the words - to explain my emerging images, thoughts, heart twitches, not sure if it will be possible to bring them to reality, record them in the material and finally see what can only be seen under my eyelids. I am talking about beauty, but also a feeling, a trembling of the heart, a rediscovered thought, or just a desire to save the image forever - in myself. I ask myself, can the harmony, which enchants us reconcile us with life?

When I start my work I am driven by my inner strength, I do not think about the recipient - I focus egocentrically on satisfying my great need to create. The curiosity of the dialogue (with the viewer) appears much later.

Dialogue with the viewer is always a mystery delivered through beauty. I don't know if even a tiny part of my work will germinate, or become permanent, and what fruit it will bear? "

艺术家看到别人看不到的东西。他以一种短暂的方式看到一些东西，不完全确定，没有定义。为了了解他的想法并将其展示给他人，艺术家必须将他所看到的、眼睛无法看到的东西捕捉并具体化为真实和永久的材料。

这是Magdalena Dobrucka在她的信中对这一过程的描述:

"我缺乏语言--解释我新出现的图像、想法、心脏抽搐，不确定是否有可能把它们变成现实，把它们记录在材料中，最后看到只能在我眼皮下看到的东西。我说的是美，但也是一种感觉，一种心灵的颤动，一种被重新发现的思想，或者只是一种想要永远保存图像的愿望--在我自己。我问自己，让我们着迷的和谐能否让我们与生活和解？

当我开始我的工作时，我被我的内在力量所驱动，我不考虑收件人 - 我专注于以自我为中心，满足我对创造的巨大需求。对话的好奇心（与观众）出现得更晚。

与观众的对话总是通过美来传递神秘感。我不知道我的作品的哪怕是很小的一部分是否会发芽，或成为永久性的，它将结出什么果实？"

Suita

套装

Sleeping

睡觉的人

Sacrum Touch 

触摸骶骨